Showing posts with label Light Grey Art Lab. Show all posts
Showing posts with label Light Grey Art Lab. Show all posts

4.21.2014

Little Queen of the Andes

I'm in Light Grey Art Lab's latest gallery show: Animystics!

Animystics is a celebration and homage of our furry friends, companions, and spirit animals. From ancient history to mythology, real life pets to legendary creatures, the exhibition recognizes the importance of these animals throughout our lives.

For this show, I decided to go with a piece about the vicuña, a sacred animal to the Inca people. The vicuña is a magical animal with a fascinating history. The ancient Inca believed that protecting this animal would bring warmth and fertility to their land. The vicuña and its wool were held in such high esteem that only Inca royalty were allowed to wear garments made of vicuña fibres. Did you know? By returning to traditional herding (the vicuña was, and remains, a wild animal) and shearing methods, it has come back from the brink of extinction in present day Peru.

Also, my upbringing on Les Mystérieuses Cités d'or was totally an inspiration for this piece.

I used textured paper for the show's limited edition, signed prints. I'm really happy with the final printed look, the paper makes a world of a difference!



Prints are available through Light Grey Art Lab's online store (here), and a portion of proceeds from this piece will go towards a Feline Rescue based in Minneapolis.

11.29.2013

#6DEGREES

When I first read about Light Grey Art Lab's 6 Degrees project, my gut reaction was to do something related to what I still (and will probably always) consider home:

Saint-Louis, a small sleepy Acadian village on the East coast of New Brunswick:

http://www.saint-louis-de-kent.info 

But... I've been living in the Toronto area for the past seven years now. First for school, then for work.

Still, I can't quite bring myself to call Toronto home. Is it the fact that I lived in a rural area all my life? Is it because I have zero family in a 1500 kilometer radius? Is it that Lake Ontario will never be able to replace the Atlantic Ocean and its salty breeze? It it because, although I have access to an amazing diversity of cultures (the films, the food, AMAZING!) I can't have a daily conversation with someone in my native French?

(And no, Rob Ford doesn't help.)

My relationship to Toronto? It's complicated.

Much like my feelings about the TTC (Toronto Transit Commission) and specifically, its streetcars.

The good:
http://peterfromtexas.tumblr.com/

  • Public transit... YAY! The environmentalist in me love that Toronto has such a huge network of public transit options. See the above GIF.
  • The Toronto streetcars are quite emblematic since most North American cities have phased out their streetcar systems.
  • The cheerful ding-ding! of a passing streetcar never gets old.

The bad:
  • Unreliable. If you have to take a streetcar somewhere, you can bet you'll be late. This is actually a gridlock problem, but the streetcar's dependance on a single lane of tracks is a huge disadvantage.
  • The inside of the average streetcar will more often than not smell like a gross wet dog. 
  • They get packed. Tight.

But alas, the iconic Red Rockets have reached the end of their service life and are about to be upgraded. More train-like than streetcar, the newer models are much sleeker and longer:

http://torontoist.com/

Good, right? Well...

Toronto, like much of North America, doesn't have the best track record when it comes to historical landmarks. The tear-it-down-and-re-build mentality usually wins over consistent restoration work.

A lesser known victim to this attitude is the Toronto Transit Commission's custom designed typeface. The TTC font is absolutely beautiful, but its usage has become somewhat chaotic over the years. With extensive renovations at some stations, it becomes obvious that typography is the last thing on people's minds. For example, the Rosedale subway station's name is incorrectly displayed in Univers:

http://joeclark.org/

This only gets noticed by a handful of people since, as was the case with the people in charge of renovations, typography isn't exactly the first thing on the common commuting Torontonian's mind.

As ambivalent I am about calling Toronto home, I'm alternatively happy that Toronto will be getting an upgraded streetcar system and already a bit nostalgic about what is about to become the old Rocket.

So! In an effort to make myself a bit more at home in Toronto, I went with an urban theme for my 6 Degrees postcard and support some local artisans in the process. The card uses the painstakingly recreated TTC font by David Vereschagin, Toronto Subway(tm) Regular, and was risographed at Colour Code Printing by Jesjit Gill.


Check out Light Grey Art Lab's online shop if you'd like a postcard or print!

10.29.2013

postcard peeks!


No bird again yesterday (sorry!), I was busy getting my first ever risographed postcards back! Signed and numbered, they're ready to be shipped to Light Grey Art Lab for their 6 Degrees show/care packages.

Stay tuned!

7.17.2013

STATION ZERO


I'm in Light Grey Art Lab's latest gallery show, Station Zero!

The concept for this show was pretty awesome: you get a random vintage sci-fi book in the mail, you read it (optional), and you re-design the cover but keep the original typography.

My book was The Palace of Eternity, by Bob Shaw... and apparently cost a whooping 75¢ back in the day! The story is pretty crazy, but goes something like this:

Dude likes chick.
Dude sleeps with chick.
Chick marries Other Guy.
Other Guy kills Dude.
Oh but wait, Chick got preggers with Dude - DRAMABOMB! 
Dude is now dead/colourful sentient spacedust.
Dude gets "reincarnated" into Chick's baby.
Chick get fat and depressed and dies.
Other Guy is just angry all the time.

And there's also a weird psychic healer girl who touches Dude/Baby Dude's peener to fix it a bunch of times? And, *SPOILER ALERT*, everyone's naked for like, the last 30 pages.

There's also aliens, and they eventually find out why they were psycho after the humans... but whatever.

The book was written in the late 60s, so the way the author tends to write about women is, well, um... interesting?

I could care less about sci-fi in general, but playing with book covers is super fun!

Here's the original book I got in the mail, for funsies:


11.30.2012

Frida


I had the chance of being selected to participate in Light Grey Art Lab's GIRLS: Fact + Fiction show, a celebration of female characters from, you guessed it, fiction and reality. I picked iconic Frida Kahlo, a lady of Fact, for many reasons. I love her story, admire her character, and thought she would be a lot of fun to treat visually.

This is the first time my work is in a real deal gallery, and in the States, so it's all pretty exciting! The show is full of amazing interpretations, you should really have a look! Maike Plenzke's Ophelia is simply gorgeous (as you'd expect!), and check out this Samus, and this Rapunzel!

You can have yourself a Frida prints for $25 (US, + shipping) though Light Grey Art Lab's online shop, as well as a limited edition book featuring all 100+ interpretations of ladies. Holiday shipping is available!

If you happen to be in the Minneapolis area between December 7th and January 4th, please stop by the gallery to have a look at the show!